Rando-Quotes

"If we can't learn to live together, we're gonna die alone"
Showing posts with label hip-hop. Show all posts
Showing posts with label hip-hop. Show all posts

Thursday, October 31, 2013

To the Pavers of the Information Super Highway and the Cowboys that Cruise it Everyday

Cyberpunk.

I love that word.
Originally it was used to describe a literary genre. A genre described as “postmodern science fiction noted for focus on information technology, corporations taking the place of government and the need for fundamental social change.” The creation of which has generally been credited to William Gibson. With his first book, Neuromancer. Gibson first coined terms like “the Matrix” and described, long before the public knew about the world wide web, a concentual hallucinatory universe where people could “go” via their computers, a place where people went to increase the flow of information. Now we just call it the Internet but it’s definitely the Matrix. And our kids will wonder how we got around in that place with just a keyboard.
But to be an actual cyberpunk, that always sounded romantic to me. Neuromantic I suppose. IDYL is a Neuromantic notion.
With IDYL we have a goal to make an essential change. We’re working from within the music industry but the goals go beyond that. We want to make you think about the way you go about your day, your business. Take a hard look and decide; are you doing this the best way? Is this the best you can do or is it just the only way you know how? Because we think there is another way.
            Cyberpunk can also be described as the chronicles of the High Tech and the Low Lives…the struggles of characters that live on the fringe and conduct themselves according to a morally ambiguous or at least different set of standards. It sounds pretty cool. And it’s definitely a “lived in” genre. There’s grit, grime, cigarettes, booze…and energy. It’s all pretty rock n roll to be perfectly honest. Maybe its even punk rock n roll. Punk was originally about turning your back on the way things were being done and doing it yourself. DIY. Building something new. It wasn’t really cool then, that came later. The truth is that the Clash and the Sex Pistols were always pissed about being on a t-shirt. Well, Joe Strummer was pissed. Sid Vicious was probably pretty satisfied with himself and… oops. Got off track. I get emotional.
            There’s another element of Cyberpunk and that is the idea that the only way forward is through change. The characters tend to get caught up, through their everyday struggles, in a major reality shift; An essential and radical change in the social paradigm. Through their movement, actions, however mundane for their lifestyle, a new order arises. The shift occurs via information technology. And it turns these characters into heroes.
            Renegade revolution has always been part of the foundation for the information cowboys. That’s why we still see groups like Anonymous, Wikileaks, etc…and these people’s actions divide us as a society because change is never easy. It creates turmoil but ultimately it creates progress. Our grandfathers witnessed the actual birth of the computer. And in the 70’s the cell phones we conduct huge tracts of our daily life on, from business to the most intimate personal interactions, were fantastic whimsical impossibilities only hinted at in the best science fiction. Like Star Wars.
            If I’m really honest, the heroes I always go back to are the heroes of Star Wars. But in a way the basic tenets of Star Wars can be described with a cyberpunk analogy too. And what is always so striking about Star Wars, the thing I think captures imaginations to this day, is that the hero is plucked from obscurity and mediocrity and asked just to do his best and see what comes of it. Do or do not. There is no try.
            What we’re doing is making a change in how we think about business. For the moment, we’re talking about music business. But again, we’re asking; is the current model the best we can do? I think there is a better, cooler way. In our vision of the music industry, when you buy music it becomes a tool you can keep using to make money, not just sit in a collection. Your playlists become your portfolio; an investment, not just disposable entertainment. And the reason I want to take part in this change is because I’ve witnessed first hand how the music industry doesn’t work.
            I was on the road, in different bands, for several years and I’m not a famous or exceptionally successful musician, from a certain point of view. But I have seen a lot of bands rise and fall and I know how much time and energy, blood and sweat went into trying to succeed for those bands.  I also know that for my part I made it farther in the music industry than many musicians ever get. But even that wasn’t enough to make a living. Still, I stood next to people on stages that had been my heroes and got to call them peers and I will always cherish the moments I got to spend performing in front of hundreds of people. On a few rare occasions, thousands. When people choose to give you their attention, that’s an intimate gift and I think you have an obligation to do not only the best you can, but to use that time in a transformative way. You have to use your voice to make a stand and if you’re lucky, make a change.
            If I’ve got your attention now, then I have to tell you; I have been in the music industry and many people fail there. But RIGHT NOW if you feel like it, you can help us challenge that system and bring about a sea change of success. There is so much money in the entertainment business that in a time of economic crisis – and make no mistake, our country is on the edge of an abyss right now – we think we can harness the energy, and with it the money, and put it in the hands of the artists we respect and love. And for our efforts we can share a piece of the pie too. We think we can make an essential and radical change to the social order. And what’s cool is that regular people: you, me, and the rest of the folks out there in the matrix, called forward to just do their best, can bring about this change.
            So now while the country writhes in agony, trying to find a new balance and a way forward, we hold the cutting edge of information technology in our hands and we’re discovering that maybe that’s all we need. I don’t want just use my cellphone to “check in” or get angry at a few birds, I want something more. And I know that with a few mundane motions the tiny actions of many, galvanized into a single driving force, can turn an idea into an IDYL.
            We’ve got a shot at being true cyberpunks. Maybe even being heroes. And that’s all anyone can really ask for; a shot.
            Please come see what IDYL is about. If you like it, I encourage you to go to Rockethub.com and help fuel our campaign to turn this IDYL into a reality.



* as of 10-31-13, our RocketHub crowd fueling campaign profile isn't actually up yet. But it will be by Monday. If you are super interested, please go and check it out. But as of right now you can definitely check out

It is a massive undertaking and it's gonna be amazing. 

Thursday, January 20, 2011

LETS GET WITH IT - WoMass is in the Building.. Introducing MOKE N TONE

I swore to get down to these brass tacks so here goes. I grew up West a' Worchester and I've been repping the 413 for quite some time. At one point I like to think I was right in the heart of a movement. The Pioneer valley, while certainly steeped in a rich tradition of musical output and forefathers, had something of a groundswell in the late 90's which led to the arise of several musical acts that got a chance to see things farther down the career path than many ever get a chance to. Stardom, I suppose, is really measured in the eye of the prospective star. But for my money it was a special time. I got to be part of, and many of my friends got to experience, something really special and I think we raised a bar. I'm definitely nostalgic for the early 2000's. It was livin' on top of the world time. That being said as we enter 2011 there are some artists arising (and many that have been working on that rise for awhile) that need to catch some love. My tastes run the gamut, so I'm gonna throw a bit of an eclectic mix at yinz and see what sticks...


Western Mass Hip Hop
Honestly this is a tough road to travel. Hip-Hop is a much maligned medium on its best day. So much of the qualifications for greatness also seem to stem from pedigree, or specifically, origin (City, Block, etc.). Realism and credibility are constantly a question and rationale for quality. There is really no other genre of music where your background is so closely scrutinized. This has, of course, been equally Hip-Hop's bar-setting beauty and fatal flaw. I've long grown out of caring who and where good music is made, I just care if its good. I'm happy to report that Hip-Hop does in fact live and even thrive in Western Mass.
     First up in a class of emerging Western Mass's true sounds is a not-too-little dude by the name of Mokeout. Moke as he is knonw round the way is an MC is the real tradition. In a world of hooks and disappointing synth-horns, Moke has made a point of RAPPING. Can he do the "make it rain" thing? Yah, if thats what you're into. But believe if thats extent of your interest then in Moke's eyes you probably have a lot to learn about this thing of his.
Who's up for a quick game of cricket? Reeeal quick.
     Visiting Moke at home the first thing you notice is that the main feature of his domicile is an absurd collection of composition notebooks and legal pads. Unfortunately if I had needed to borrow a page to jot down some notes there would be no sheets available. Moke literally spends every waking moment with a pen in his hand and a notebook within arms length at the absolute furthest. There a several bookshelves. They're all filled with his own work. Spending an afternoon with Moke gives me a chance to hear him rap in several different timbres at several speeds and with a multitude of concepts and subjects. Again, in the truest and oldest of traditions, the man draws from his own experiences. His words run off the page with stories of raising his son as a single parent and figuring out how to get over to that end. He writes constantly and actively tries to capture exact sensations of the moment. So it's no surprise that the man who is living through the same political upheaval and financial crisis that Americans are now experiencing every day has a sense of honesty and self about his words that I find easy to identify with. Knowing that Moke is doing this not just for himself but for his future and the future of his family is visceral and it comes across immediately in his delivery. He can easily relaxes into party joints where his flow melts over the edges of his closest cohorts, two producers with very different styles by the name of Live and Tone, and reverses into extreme angst, agitation and palpable emotion when his subject matter changes to life, love and easily his most important asset, his son.
Moke (right) with producer Tone of Problemaddicts Fame
     Hearing Moke's flow makes me shiver. It's good to know that in the depths of the western mass winter some flames can't be doused. His hunger for affirmation leads one to believe that the only thing that can keep this MC from widespread recognition is himself. In 2011 we will find out exactly how far that ambition will take him.

Video for "False Flags" featuring Moke and Tone as well as frequent collaborator Tools.

Alright thats it for this edition. Bobby got tired fingers.

Nuggets

Nuggets
Most of the Science Fiction Vehicles in the known multiverse TO RELATIVE SCALE

PANDORA's BOX - Some of what I'm Listening to..

Showing some of my most recent Pandora Station Selections. If you want a serious 90's hip-hop "fire-and-forget" party mix, I always recommend "Black Sheep Radio"